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Modern Articles & Essays · Lesson 7 · Media
وَسائِلُ التَّواصُلِ والشَّباب — مَن صانِعُ الرَّأي؟
Wasāʾil al-Tawāṣul wa-l-Shabāb — Man Ṣāniʿ al-Raʾy?
Social Media & Youth — Who Makes Opinion?
Feature article with embedded dialogue·Pearson IGCSE 4AA1 — Topic 3 (Media)·~310 words
📄 Source, license & editorial notes

Source

Original passage written for the Pearson Edexcel International GCSE Arabic (4AA1) mock practice materials (Paper 1 Mock 5, Reading, Summary & Grammar — June 2026). Used here in the Aravoca reader with permission. No third-party adaptation.

Text type and topic

A contemporary feature article in modern MSA, written in the house style of Pearson's published 4AA1 reading passages. Includes embedded reported dialogue (an eleventh-grade student, Salim; a media psychologist, Dr Rana) — the multi-voice structure Pearson favours in its Reading-paper Text 2. Topic: Media (Topic 3 of 10 in the 4AA1 spec); sub-strand: social media's role in young people's lives, disinformation, healthy screen use.

How this lesson is designed

The body of the Arabic text below is shown without tashkīl by default — the same way the actual exam paper presents reading passages. A Show Vowels button (top right) reveals the fully vocalised version for L2 study, and each card has its own per-line vowels toggle.

License

The text is © its author and is included in this reader with permission for non-commercial educational use. Please do not re-host or re-publish without permission.

Editorial notes

The passage is reproduced in full (five paragraphs, ~310 words) and broken into 17 numbered cards for line-by-line study at clause boundaries. No words have been added, removed, or reordered within the excerpt.

0 of 0 lines expanded Tap any Arabic line to reveal translation, vocabulary, and a language insight.

مُلاحَظَة نَحوِيَّة· Grammar Notes

المُستَقبَل (سَـ / سَوفَ)· the future tense
Spec: future tense · basic structure (spec p. 17) · regularly tested in Q11–14 grammar
سَوفَ يُصبِحُ هذا الرَّقمُ ضِعفَينِ قَبلَ نِهايَةِ العَقدِ— Line 2 — "this number will become double before the end of the decade"

How it works. Arabic builds the future tense by adding ONE thing to a present-tense verb:

  • سَـ — a short prefix stuck to the front of the verb. Used for the everyday future (\"will\"): sa-adrusu (سَأَدرُسُ) = \"I will study\".
  • سَوفَ — a separate word placed in front of the verb. Used for a more distant, emphatic, or formal future: sawfa adrusu (سَوفَ أَدرُسُ) = \"I shall study / I will (definitely) study\".

In both cases, the verb itself stays in its normal المُضارِع (present-tense) form — endings unchanged: sa-yanjaḥu, sa-tanjaḥu, sa-yanjaḥūna.

More examples from this passage:

  • Line 10: sa-yaqaʿu lā maḥālata fī fakhkh al-taḍlīl (سَيَقَعُ لا مَحالَةَ في فَخِّ التَّضليلِ) = \"he will inevitably fall into the trap of disinformation\".
  • Line 15: sa-tajidu annaka tufakkiru bi-awḍaḥ (سَتَجِدُ أنَّكَ تُفَكِّرُ بِأَوضَح) = \"you will find that you think more clearly\".
  • Line 17: sa-yataʿallamu… sa-yuṣbiḥu (سَيَتَعَلَّمُ… سَيُصبِحُ) = \"will learn… will become\" — two futures chained for prediction.

How to choose between سَـ and سَوفَ. They mean the same thing; the difference is in feel. سَـ is shorter, lighter, used for any near or likely future. سَوفَ is heavier and adds weight — useful for promises, threats, and formal predictions in essays.

Watch for: never use سَـ AND سَوفَ together. سَوفَ سَأَدرُسُ is wrong — pick one (sa-adrusu OR sawfa adrusu). The negative future drops both — use لَن + المُضارِع المَنصوب (subjunctive): lan adrusa = \"I will not study\".
اِسم الفاعِل + اِسم المَفعول· active and passive participles
Spec: active and passive participles · complex structure (spec p. 17, Appendix 5) · regularly tested
المُستَخدِمُ الصَّغيرُ … مُحاطونَ بِكَمِّيَّاتٍ هائِلَةٍ— Lines 10 + 9 — "the young user (active) … surrounded by huge amounts (passive)"

Arabic has TWO kinds of participle (a participle is a word made from a verb that acts like a noun or adjective):

  • اِسم الفاعِل (active participle): the one who DOES the action. mustakhdim (مُستَخدِم) = \"user\" (one who uses); muʾaththir (مُؤَثِّر) = \"influencer\" (one who influences); ṣāniʿ (صانِع) = \"maker\".
  • اِسم المَفعول (passive participle): the thing the action is DONE TO. muḥāṭ (مُحاط) = \"surrounded\" (one who is surrounded); maktūb (مَكتوب) = \"written\"; maʿrūf (مَعروف) = \"known\".

How to form them — Form I (the simplest verbs).

  • Active: فاعِل pattern. kataba (\"wrote\") → kātib (\"writer\"). qaraʾa → qāriʾ. ṣanaʿa → ṣāniʿ.
  • Passive: مَفعول pattern. kataba → maktūb (\"written\"). ʿarafa → maʿrūf (\"known\"). fataḥa → maftūḥ (\"open\").

How to form them — Form II to X. Take the المُضارِع (present-tense) form, drop the present-tense subject prefix (ي / ت / أ / ن), and replace it with مُ. Then:

  • For the ACTIVE participle, the second-to-last letter takes الكَسرة (kasra — the \"i\" mark): mudarris (\"teacher\"), mustakhdim (\"user\"), muʾaththir (\"influencer\").
  • For the PASSIVE participle, the second-to-last letter takes الفَتحة (fatḥa — the \"a\" mark): mudarras (\"taught\"), mustakhdam (\"used\"), muʾaththar (\"influenced\").

So the SAME verb gives you the active AND the passive participle, with just a vowel difference. The whole story is in that one mark — kasra (i) or fatḥa (a) — under the second-to-last letter.

Why writers use them. Participles are SHORTER than relative clauses. \"The one who writes\" → just al-kātib. \"The thing that is known\" → just al-maʿrūf. One word does the work of three. Journalism leans on them heavily.

Watch for: the kasra-vs-fatḥa rule (active vs passive) is the Q11–14 favourite trap. Read the mark under the second-to-last letter carefully — mustakhdim (user) and mustakhdam (used) look almost identical without tashkīl.

أَسْئِلَة· Comprehension Questions

ماذا تَتَوَقَّعُ الإحصائِيَّاتُ بِالنِّسبَةِ لِعَدَدِ المُستَخدِمينَ العَرَبِ لِشَبَكاتِ التَّواصُلِ؟What do the statistics predict about the number of Arab users of social media networks?

تَتَوَقَّعُ الإحصائِيَّاتُ — كَما يَذكُرُ النَّصُّ — أن يَصِلَ عَدَدُ المُستَخدِمينَ العَرَبِ لِشَبَكاتِ التَّواصُلِ الاجتِماعيِّ إلى نَحوِ سِتِّمِئَةِ مَليونِ مُستَخدِمٍ قَبلَ نِهايَةِ العَقدِ، أَي ضِعفَ ما كانَ عَلَيهِ في عامِ ألفَين وعِشرينَ، حينَ كانَ يَقتَرِبُ مِن ثَلاثِمِئَةِ مَليونٍ فَقَط. ويَدُلُّ هذا الرَّقمُ على السُّرعَةِ الَّتي تَنتَشِرُ بِها هذِهِ الشَّبَكاتُ بَينَ الجيلِ الجَديدِ، وعلى مَدى تَغَلغُلِها في كُلِّ بَيتٍ.

الشَّواهد: الأَسطُر ١–٣

لِماذا يَجِدُ سالِم أنَّ مِن المُستَحيلِ عَلَيهِ أن يَترُكَ شاشَتَهُ يَومًا كامِلًا؟Why does Salim find it impossible to leave his screen for a whole day?

يُمضي سالِم خَمسَ ساعاتٍ على الأقَلِّ أمامَ شاشَةِ هاتِفِهِ يَومِيًّا، وذلِكَ لِأنَّهُ يَستَخدِمُها لِأغراضٍ مُتَعَدِّدَةٍ في الوَقتِ نَفسِهِ: مُتابَعَةُ المُؤَثِّرينَ، ومُشارَكَةُ أخبارِهِ مع أصدِقائِهِ، ومُراقَبَةُ ما يَفعَلونَهُ، وتَعَلُّمُ لُغاتٍ جَديدَةٍ مِن فيديوهاتٍ قَصيرَةٍ. هذِهِ الأنشِطَةُ كُلُّها مُتَرابِطَةٌ في يَومِهِ، فَأصبَحَ يَشعُرُ أنَّهُ لا يَستَطيعُ تَخَيُّلَ حَياتِهِ دونَ هذِهِ الشَّاشَةِ، حتى ولَو لِيَومٍ واحِدٍ فقط.

الشَّواهد: الأَسطُر ٤–٧

ما الخَطَرُ الرَّئيسيُّ الَّذي حَذَّرَت مِنهُ الدُّكتورَةُ رَنا، وكَيفَ فَسَّرَتهُ؟What is the main danger Dr Rana warned of, and how did she explain it?

حَذَّرَتِ الدُّكتورَةُ رَنا مِن خَطَرِ التَّضليلِ المَعلوماتيِّ. فَفي رَأيِها أنَّ الشَّبابَ اليَومَ مُحاطونَ بِكَمِّيَّاتٍ هائِلَةٍ مِن الأخبارِ، بَعضُها صَحيحٌ وبَعضُها مُفَبرَكٌ، ولا يَمتَلِكُ المُستَخدِمُ الصَّغيرُ القُدرَةَ الكافِيَةَ لِيُمَيِّزَ بَينَهُما. وبِذلِكَ يَقَعُ لا مَحالَةَ في فَخِّ تَصديقِ الأخبارِ الكاذِبَةِ، ومُشارَكَتِها مع الآخَرينَ، مِمّا يَزيدُ مِن انتِشارِ التَّضليلِ في المُجتَمَعِ.

الشَّواهد: الأَسطُر ٨–١٠

اِذكُر الخُطُواتِ الثَّلاثَ الَّتي اقتَرَحَتها الدُّكتورَةُ لِلتَّعامُلِ الصِّحِّيِّ مع وَسائِلِ التَّواصُلِ.List the three steps Dr Rana proposed for healthy use of social media.

اقتَرَحَتِ الدُّكتورَةُ ثَلاثَ خُطُواتٍ بَسيطَةٍ يُمكِنُ لِأَيِّ شابٍّ تَطبيقُها:

الأُولى: التَّحَقُّقُ مِن المَصدَرِ الأصليِّ لِأَيِّ خَبَرٍ قَبلَ تَصديقِهِ أو إعادَةِ نَشرِهِ.

الثَّانِيَةُ: تَحديدُ وَقتٍ أَقصى لاستِخدامِ الشَّاشَةِ يَومِيًّا، والالتِزامُ بِعَدَمِ تَجاوُزِهِ.

الثَّالِثَةُ: تَجريبُ يَومٍ كامِلٍ في الأُسبوعِ بِدونِ هاتِفٍ، فَإنَّ هذا يُساعِدُ على وُضوحِ التَّفكيرِ وعُمقِ النَّومِ.

الشَّواهد: الأَسطُر ١١–١٥

تَحليلُ الكاتِب· Writer's Craft

The article opens with a number and closes with a quote. Paragraph 1 hits you with a startling statistic (300 million Arab users, doubling by the end of the decade). Paragraph 5 hands you a one-line wisdom-saying from Dr Rana (\"the maker of opinion, not its prisoner\"). The whole article is sandwiched between these two attention-grabbers.

Pick the opening number AND the closing quote. What does EACH one do for the reader? Why might the writer have chosen to bookend the article this way, instead of opening or closing with a plain summary?

📝 Marker notes (reveal after attempting)

Top-band answers explain what each bookend does to the reader:

  • The opening number (300 million, doubling soon) does attention-grabbing + urgency. A big concrete figure pulls the reader in immediately, and the \"doubling\" sets up that this isn't a small or fading topic — it's already huge and getting bigger. The reader thinks: \"this matters to me\".
  • The closing quote (\"the maker of opinion, not its prisoner\") does memorability + moral choice. The writer hands the reader a one-line idea they can carry away and even quote to a friend. It's the line that will stay in their head after they put the article down.
  • Together the two bookends create a frame: a hard fact at the start, a moral choice at the end. The middle of the article (Salim's confession, Dr Rana's warning, the three steps) becomes the evidence that connects the fact to the choice.
  • If the writer had opened with \"social media is important\" and closed with \"so be careful\", the article would feel flat. Bookending with a number and a quote gives the article a shape the reader can hold.

This kind of question — analysing where a writer places things, not just what they say — is exactly what Paper 1 Q4 / Q8 rewards. Bookending and structural choice are top-band moves.

💬سُؤال لِلنِّقاش· Discussion Question

Dr Rana ends with: «مَن سيتعلَّم اليوم كيف يستخدم وسائل التواصل بحكمة، سيصبح غدًا صانعَ رأي، لا أسيرَه» — \"whoever learns today how to use social media wisely will tomorrow be a maker of opinion, not its prisoner\".

Are you a maker of opinion online, or a prisoner of it? Try the one-day-off challenge — leave your phone for a full day this week. What would you notice?

Write two short Arabic sentences in answer: one using سَأَترُكُ (\"I will leave\" — future tense, see Grammar Note 1); one using مُحاط بِـ (\"surrounded by\" — passive participle, see Grammar Note 2).

👩‍🏫 Teacher / Self-study notes

Estimated time

40–55 minutes for a self-study learner. Can be split into two sessions (read text + vocab + translation in session 1; grammar + questions + craft in session 2).

What to know before this lesson

The learner should already be comfortable with المُضارِع (present tense) — this lesson layers the future on top of it. Lessons 1–5 have surfaced participles in passing (in vocab notes); this is the first lesson where they are taught as a primary structure. Knowing how vowel-marks (kasra / fatḥa) sit on the second-to-last letter is essential for telling active from passive — review الفَتحة and الكَسرة before tackling Grammar Note 2.

How this lesson maps to the exam

The text is written in the same house style as the Pearson Sample Assessment Materials Text 2. Anonymous-byline modern MSA article, ~310 words, with embedded direct speech from two named people (a student and an expert). The two grammar notes target structures examiners flag every year: future tense (basic structure, currently uncovered in the reader and a Q11–14 staple) and active / passive participles (complex structure, examiner-flagged kasra-vs-fatḥa trap).

Link to the next lesson

Lesson 8 (Topic 4, Culture) takes up the question of why reading still matters in the age of screens. Grammar focus moves to المَفعول لأجلِه (the noun-of-reason) and reinforces participles with stronger Form II–X examples.