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Modern Articles & Essays · Lesson 2 · Youth Matters
طُموحاتُ الشَّبابِ — ماذا تُريدُ أن تَكونَ؟
Ṭumūḥāt al-Shabāb — Mādhā Turīd an Takūn?
Youth's Ambitions — What Do You Want to Be?
Feature article with embedded dialogue·Pearson IGCSE 4AA1 — Topic 1 (Youth Matters)·~315 words
📄 Source, license & editorial notes

Source

Original passage written for the Pearson Edexcel International GCSE Arabic (4AA1) mock practice materials (Paper 1 Mock 3, Reading, Summary & Grammar — May 2026). Used here in the Aravoca reader with permission. No third-party adaptation.

Text type and topic

A contemporary feature article in modern MSA, written in the house style of Pearson's published 4AA1 reading passages. Includes embedded reported dialogue (an eleventh-grade student, Yūsuf; a career counsellor, Dr Hala) — the multi-voice structure Pearson favours in its Reading-paper Text 2. Topic: Youth Matters (Topic 1 of 10 in the 4AA1 spec); sub-strand: future ambitions and career choice.

How this lesson is designed

The body of the Arabic text below is shown without tashkīl by default — the same way the actual exam paper presents reading passages. A Show Vowels button (top right) reveals the fully vocalised version for L2 study, and each card has its own per-line vowels toggle.

License

The text is © its author and is included in this reader with permission for non-commercial educational use. Please do not re-host or re-publish without permission.

Editorial notes

The passage is reproduced in full (six paragraphs, ~315 words) and broken into 17 numbered cards for line-by-line study at clause boundaries. No words have been added, removed, or reordered within the excerpt.

0 of 0 lines expanded Tap any Arabic line to reveal translation, vocabulary, and a language insight.

مُلاحَظَة نَحوِيَّة· Grammar Notes

المَفعولُ المُطلَقُ· the cognate accusative
Spec: cognate accusative · complex structure (spec p. 17, Appendix 5) · regularly tested
وراجِع خِطَّتَكَ مُراجَعَةً دَقيقَةً— Line 13 — "and review your plan a careful review (= review your plan carefully)"

How it works. A cognate accusative (al-mafʿūl al-muṭlaq) is when you put a verb and its own verbal noun in the same sentence — the verbal noun goes in the accusative case. Arabic uses it to intensify the verb or to describe how the action was done.

The two common uses:

  • For emphasis — just verb + masdar: aḥabba ḥubban (أَحَبَّ حُبًّا) = "he loved a love" = "he really loved".
  • To describe the action — verb + masdar + adjective: aḥabba ḥubban shadīdan (أَحَبَّ حُبًّا شَديدًا) = "he loved an intense love" = "he loved intensely". This is how Arabic expresses adverbs of manner.

In our line, rājiʿ khiṭṭataka murājaʿatan daqīqatan (راجِع خطتك مُراجَعَةً دَقيقَةً) follows the second pattern: the masdar murājaʿa ("a reviewing", same root as the verb rājiʿ) + the adjective daqīqa ("careful") together translate into the single English adverb "carefully". Notice both are accusative (final -an).

Another example in this passage:

  • Line 1: yaḥlumu aḥlāman takhuṣṣuhu waḥdah (يَحلُمُ أَحلامًا تَخُصُّهُ وَحدَهُ) — "dreams dreams that belong to him alone". Same root for yaḥlumu (verb) and aḥlām (masdar plural in the accusative).
Watch out. In Q11–14 you may be given an adverb in English (e.g. "carefully", "deeply", "warmly") and asked to translate it into Arabic. The top-band move is the cognate accusative: pick the verb, find its masdar, add an adjective, both accusative. Don't translate "carefully" as a separate word — Arabic prefers fataḥa l-bāba fatḥan ḥadhiran (\"he opened the door an alert opening\") over a literal adverb.
إنْ + المَجزوم (الشَّرط)· conditional in + jussive
Spec: conditional verb mood · basic structure (spec p. 17) · examiner-flagged: tanjaḥū vs tanjaḥūn
إنْ تُخَطِّطْ لِمُستَقبَلِكَ ... تَستَيقِظْ غَدًا وأنتَ تَعرِفُ إلى أَينَ تَذهَبُ— Line 11 — "if you plan for your future ... you will wake up tomorrow knowing where you are going"

How it works. The conditional particle in (إن — "if") triggers a special verb mood: the jussive (al-majzūm). It happens twice in the sentence — once on the condition verb, once on the result verb. So:

إنْ + jussive verb (condition) + jussive verb (result)

What jussive endings look like:

  • tukhaṭṭiṭu (you plan) → tukhaṭṭiṭ (sukūn on the last letter)
  • tastayqiẓu (you wake) → tastayqiẓ
  • Plural tanjaḥūna (you-pl. succeed) → tanjaḥū (drop the final nūn)

Two more examples in this passage:

  • Line 9: in lam yaʿrif l-shābbu ṭarīqahu (إن لم يَعرِف الشّابُّ طَريقَهُ) — "if the young person does not know his path". The negative version: in + lam + jussive. yaʿrifu → yaʿrif.
  • Line 12: wa-in lam tafʿal, istayqaẓta yawman (وإن لم تَفعَل، استَيقَظتَ يَومًا) — "and if you don't, you will wake up one day…". Note: the result here is in the past tense for vivid effect — also valid after in.
Watch out. Examiners specifically flag the plural trap: in tanjaḥūna is WRONG. The final nūn must drop in the jussive: in tanjaḥū. Same rule for the dual: tanjaḥāni → tanjaḥā. The Pearson examiner report names this exact mistake every year.

أَسْئِلَة· Comprehension Questions

ماذا أَجابَ يوسُف حينَ سُئِلَ عن طُموحِهِ؟What did Yūsuf answer when asked about his ambition?

أَجابَ يوسُف بِتَرَدُّدٍ واضِحٍ، فَاعتَرَفَ أنَّ طُموحَهُ قد تَغَيَّرَ مَرَّاتٍ كَثيرَةً مع تَقَدُّمِهِ في الدِّراسَةِ. فَقد أَرادَ أن يَكونَ طَبيبًا حينَ كانَ في العاشِرَةِ، ثُمَّ مُهَندِسَ طَيَرانٍ حينَ دَخَلَ المَرحَلَةَ الثّانَوِيَّةَ. أمّا اليَومَ، فَلا يَزالُ مُتَرَدِّدًا — يَميلُ إلى التَّصميمِ، غَيرَ أنَّ أَهلَهُ يُفَضِّلونَ مِهنَةً أَكثَرَ استِقرارًا. وفي اعتِرافِهِ هذا تَظهَرُ أَزمَةُ الاختِيارِ الَّتي يَعيشُها كَثيرٌ من المُراهِقينَ في سِنِّهِ.

الشَّواهد: الأسطُر ٥–٦

كَيفَ فَسَّرَت الدُّكتورَةُ هالَة كَثرَةَ تَغييرِ المُراهِقِ لِاختِيارِهِ المِهَنِيِّ؟How did Dr Hala explain teenagers' frequent changes of career choice?

اعتَبَرَت الدُّكتورَةُ هالَة أنَّ تَرَدُّدَ يوسُف لَيسَ استِثناءً نادِرًا، بَل هو القاعِدَةُ السّائِدَةُ بَينَ المُراهِقينَ. فَقد ذَكَرَت أنَّ الشَّابَّ يُغَيِّرُ اختِيارَهُ المِهَنِيَّ سَبعَ مَرّاتٍ في المُتَوَسِّطِ قَبلَ أن يَستَقِرَّ على قَرارٍ نِهائِيٍّ. ولِذلِكَ فَلا داعِيَ لِلقَلَقِ إن لم يَعرِف الشَّابُّ طَريقَهُ في الخامِسَةَ عَشرَةَ من عُمُرِهِ، لِأنَّهُ ما زالَ في مَرحَلَةِ التَّعَرُّفِ على نَفسِهِ واكتِشافِ ميولِهِ.

الشَّواهد: الأسطُر ٨–٩

ما النَّصيحَةُ الَّتي قَدَّمَتها الدُّكتورَةُ هالَة لِلشَّبابِ بِشَأنِ التَّخطيطِ؟What advice did Dr Hala give the youth concerning planning?

نَصَحَت الدُّكتورَةُ الشَّبابَ بِأن يُخَطِّطوا لِمُستَقبَلِهِم — ولَو في صَفحَةٍ صَغيرَةٍ — كُلَّ سِتَّةِ أشهُرٍ، وَأَكَّدَت أنَّ مَن خَطَّطَ استَيقَظَ في الغَدِ وهُو يَعرِفُ إلى أَينَ يَذهَبُ. أمّا مَن أَهمَلَ التَّخطيطَ، فَإنَّهُ يَستَيقِظُ يَومًا لِيَجِدَ أنَّ المِهنَةَ قد اختارَتهُ عِوَضًا عن أن يَختارَها هو. وَدَعَتهُم أيضًا إلى مُراجَعَةِ خِطَّتِهِم مُراجَعَةً دَقيقَةً كُلَّما ظَهَرَ اهتِمامٌ جَديدٌ، حَتّى تَبقى الخِطَّةُ حَيَّةً لا جامِدَةً.

الشَّواهد: الأسطُر ١١–١٣

ما أَبرَزُ خَطَأٍ يَقَعُ فيهِ الشَّبابُ عِندَ اختِيارِ المِهنَةِ في رَأيِ الدُّكتورَةِ؟ ولِماذا اعتَبَرَتهُ خَطَأً؟What is the most glaring mistake youth make in choosing a career, according to Dr Hala? And why did she consider it a mistake?

رَأَت الدُّكتورَةُ أنَّ أَبرَزَ خَطَأٍ يَقَعُ فيهِ الشَّبابُ هو التَّقليدُ: أن يَختارَ الطّالِبُ مِهنَةً لِأنَّ صَديقَهُ اختارَها، أو لِأنَّ والِدَهُ تَمَنّاها لَهُ. واعتَبَرَتهُ خَطَأً لِأنَّ المِهنَةَ الَّتي لا تُشبِهُ صاحِبَها — أي الَّتي لا تُلائِمُ ميولَهُ وقُدُراتِهِ — تَنتَهي حَتمًا إلى نَدامَةٍ طَويلَةٍ. فَالإنسانُ يَقضي في عَمَلِهِ نِصفَ عُمُرِهِ، فإن لم يُحِبَّ ما يَعمَلُ، أَضاعَ نِصفَ عُمُرِهِ.

الشَّواهد: الأسطُر ١٥–١٦

تَحليلُ الكاتِب· Writer's Craft

The article's two pivots. The writer opens with a single big question — what do you want to be when you grow up? — and closes with a single short answer in two words: know yourself first, then choose your goal. In between, two voices do all the work: Yūsuf the student (paragraph 2) and Dr Hala the counsellor (paragraphs 3–5).

Look at how the writer arranges the two voices. What does putting Yūsuf first and Dr Hala second achieve? Why might the article have been weaker if the order were reversed?

📝 Marker notes (reveal after attempting)

Top-band answers explain what the order of voices does to the reader:

  • Putting Yūsuf first shows us the problem in human terms before any theory. We meet a real, hesitant student — we see the confusion in his own words ("honestly, I don't know yet"). That makes us care about the question before any expert appears.
  • Then Dr Hala arrives with the explanation. She names what we just saw ("his answer is not an exception — it's the rule") and offers data ("seven times on average"). Her voice gives weight and authority to what we already feel.
  • If the order were reversed, the article would feel like a lecture. Dr Hala's statistics would land cold, with no real person to attach them to. The writer's choice is rhetorical: case first, then explanation — the same shape news features use.
  • This also balances the emotional register (Yūsuf's smile, his honest "I don't know") with the analytical register (Dr Hala's numbers, her firm tone). The reader gets both — and that's why the conclusion ("know yourself first, then choose your goal") feels earned, not preached.

This kind of question appears as Paper 1 Questions 4 & 8 in the GCSE — worth 10 marks each (20 of the 49 reading marks). Analysing the order of elements (not just their presence) is a top-band move.

💬سُؤال لِلنِّقاش· Discussion Question

Dr Hala says the biggest mistake young people make in choosing a career is imitation — picking the path a friend chose, or the path a parent wishes for them.

Have you ever felt pressure to pick a subject, a course or a career because someone else wanted you to? How did you handle it? Or do you think family advice should usually be followed, even when it doesn't match your own interests?

Try writing two short Arabic sentences in answer: one starting with إن أَخَذتَ بِنَصيحَةِ والِدَيكَ (if you take your parents' advice) + a jussive result; one starting with أَنا أَختارُ مِهنَتي اختِيارًا (I choose my profession a choosing of …) and adding an adjective. The first uses in + jussive (Grammar Note 2); the second uses the cognate accusative (Grammar Note 1).

👩‍🏫 Teacher / Self-study notes

Estimated time

40–55 minutes for a self-study learner. Can be split into two sessions (read text + vocab + translation in session 1; grammar + questions + craft in session 2).

What to know before this lesson

The learner should already know the present-tense indicative endings (yaktubu, yaktubūna) so they can SEE the contrast when the jussive form drops them. Lesson 1's grammar note on lam + jussive is the direct prerequisite — the conditional in + jussive is the same mood, used in a different role.

How this lesson maps to the exam

The text is written in the same house style as the Pearson Sample Assessment Materials Text 2. Anonymous-byline modern MSA article, ~315 words, with embedded direct speech from two named people (a student and an expert). The two grammar notes target structures examiners flag year after year: the cognate accusative (complex structure, regularly tested in Q11–14) and conditional in + jussive (basic structure, the tanjaḥū / tanjaḥūn trap is in the examiner report every year).

Link to the next lesson

Lesson 3 (also Topic 1, Youth Matters) shifts to the question of how young people spend their free time, with a practical-advice article. Grammar focus moves to the specification (al-tamyīz) and reinforces the passive voice from Lesson 1.